Hannah Collins named Executive Director of Longwood Symphony Orchestra

Boston, MA—The Board of Directors of the Longwood Symphony Orchestra is delighted to announce the appointment of Hannah Collins as the orchestra’s new Executive Director, effective January 6, 2025.

 An accomplished arts administrator, cellist, and educator, Collins has moved beyond traditional silos throughout her career to excel as a musician, scientist, and creative collaborator. In each role, Collins has brought deep and practical knowledge of how the arts advance healing and well-being for individuals and communities. Currently associate professor and string area coordinator at the University of Kansas School of Music, she has also held teaching and administrative positions at Greenwood Music Camp, Avaloch Farm Music Institute, and Kneisel Hall. With the Boston-based Grammy-nominated chamber orchestra A Far Cry, she has served as a cellist, co-artistic director, and board member. As an alumna of Ensemble Connect, a fellowship program of Carnegie Hall, The Juilliard School, and the Weill Music Institute, she has focused her career on combining musical artistry, teaching, community engagement, advocacy, entrepreneurship, and leadership, including work with Decoda and New Morse Code. Collins graduated summa cum laude with a BS in biomedical engineering from Yale University.  She received her Masters of Music and Artist Diploma from the Yale School of Music, and her Doctor of Musical Arts from the City University of New York. 

 “Hannah’s commitment to the mission of Longwood really drew the interest of the search committee,” said Cassandra Ling, Chair of the Board of Directors.  “We are excited to welcome Hannah into the Longwood Symphony family and thrilled to have such an accomplished professional partnering with the Board and our new music director.”

 “Growing up in a family full of medical professionals who have a love for music and music-making, I share many common values with the LSO members,” said Collins, “specifically a strong belief in the direct impact of the arts on individual and community health.  I greatly admire the mission of the orchestra, and I look forward to deepening our relationships with our community partners and the broader Boston medical community.”

 “I’m very excited that Hannah’s values and vision align perfectly with our mission,” said Music Director Jotaro Nakano.  “I’m looking forward to partnering with her and producing programs that will continue our commitment to the Healing Art of Music.”

 
About Longwood Symphony

 Founded in Boston in 1982, the Longwood Symphony Orchestra is a 501(c)(3) nonprofit organization that uniquely focuses on combining the healing arts of music and medicine. Named after Boston’s Longwood Medical Area, the orchestra’s members are primarily healthcare professionals, researchers, medical students, therapists, and caregivers, many of whom pursued advanced musical studies before turning to medicine. The orchestra is nationally recognized for its musical quality, innovative programming, and unique model of community engagement. Since 1991, the LSO has used its concerts to help nonprofit “Community Partners” raise awareness and funds for important medical, wellness, and educational causes; to date, the program has helped more than 55 nonprofit organizations raise nearly $3M. The orchestra received the 2007 MetLife Award for Excellence in Community Engagement from the League of American Orchestras, as well as the 2011 Commonwealth Award from the Massachusetts Cultural Council.

 More information about the LSO, including programs, soloists, and community partners, is available on our website: www.longwoodsymphony.org.

 High-Res photo of Hannah Collins. (Credit: John Paul Henry)

Executive Director Search

LONGWOOD SYMPHONY ORCHESTRA, the acclaimed orchestra of Boston’s medical community with a 42-year history of artistic and community achievement, seeks a results-driven, energetic and enthusiastic individual to serve as the orchestra’s full-time Executive Director. The orchestra has ambitious plans for future growth, and seeks a dynamic individual who can lead, guide, and partner with the Board to increase the scope of the orchestra’s public services and expand its public profile.

Founded in 1982, the Longwood Symphony continues in its 2024-25 season with national and international recognition for its unique dual mission of fostering musical excellence while promoting and supporting health-related nonprofit organizations in the Greater Boston area.  Among its honors: in 2010, the orchestra received the Commonwealth of Massachusetts’ highest state government recognition, the Massachusetts Cultural Council Commonwealth Award, for its longstanding contributions to medicine and music; in 2007, the orchestra won the League of American Orchestras’ national MetLife Excellence in Community Engagement Award.

The orchestra’s flagship public performance program is its “Healing Art of Music™” initiative, which was founded in 1991 and presents four subscription concerts annually in New England Conservatory’s Jordan Hall, as well as a summer performance. Music Director Jotaro Nakano joined the LSO as its artistic leader in 2023 and conducts all performances. Each concert benefits a health-related nonprofit organization, and since its inception, the program has raised more than $2.8 million for its community partners while presenting works from across the symphonic spectrum and featuring renowned soloists from Boston and beyond. The orchestra has also toured internationally, including a 2008 tour to the United Kingdom to present musical and medical programs.

The orchestra’s distinctive “LSO On Call” chamber music program takes small ensembles into hospices, hospitals and rehabilitation centers for intimate free performances.

The orchestra is led by a volunteer Board of Directors, and has an annual budget of approximately $300,000. The Executive Director works in partnership with the Board and Music Director Jotaro Nakano; they are supported by a part-time Operations Manager. The Executive Director is a key organizational leader, central public advocate and fundraiser for the orchestra and its mission, with a special personal ability to lead and inspire volunteers.

ROLE DESCRIPTION

The Executive Director is responsible for the vision, direction and day to day operations of the Orchestra as they seek to achieve the mission of realizing the healing art of music.  They will be responsible for growing and sustaining the institution while achieving impact within the community.  They report to the Chair of the Board of Directors, and through them, to the volunteer Board, which meets quarterly from September–May.  The Executive Director will be responsible for the executive business management of the orchestra and its $300,000 annual operating budget.  The Executive Director will work closely with the Music Director and manage a part-time Operations Manager.  Together, they will form an effective team of public advocates for the orchestra.  The Executive Director will work from the LSO office in West Newton, MA with some flexibility for remote work.  No travel required.  Specific responsibilities include:

BOARD MANAGEMENT

  • Serve as a catalyst for Board engagement and execution of initiatives; collaborate with Board of Directors and its  Committees;

  • Work in partnership with the Board Chair, the Executive Committee, the Board and the Music Director to advance the long-term future of the organization; and

  • Manage an ongoing strategic initiative process at the Board level.

DEVELOPMENT

  • Prepare detailed annual fundraising projections for contributed income from board and major donors, annual fund, special events, foundations, corporations, government sources, and concert program book advertisements;

  • Write and submit all fundraising proposals, reports, compliance documents, renewals, and annual fund mailings;

  • Design and execute special development campaigns, including the Annual Appeal;

  • Design and execute special events, such as galas, chamber performances, and development activities; 

  • Identify prospective donors and develop and execute ongoing cultivation and solicitation activities for each prospect; 

  • Manage and improve online solicitation mechanisms such as e-solicitations, website, and social media fundraising;

  • Manage organizational gift administration and accounting to federal compliance standards for charitable giving; and

  • Utilize ArtsPeople, a customer relationship management program, to manage and record giving.

MARKETING AND PUBLIC RELATIONS

  • Prepare detailed annual income projections in cooperation with the Finance Committee and Treasurer for earned income from subscriptions, single ticket sales, fee engagements, chamber music performances, and other sources;

  • Produce, print, and mail marketing sales materials, including subscription brochures and concert posters, etc.;

  • Use MailChimp to produce, email, and track marketing outreach to engage with past, present, and potential audience members 

  • Promote the orchestra’s activities through media releases and social media outreach, and liaise with key media contacts on promotion;

  • Update the orchestra’s website and social media on a regular basis;

  • Negotiate competitive pricing and manage year-round projects with marketing vendors such as advertising platforms, mailing house, printers, etc.;

  • Utilize ArtsPeople, manage ticket sales, including ticketing administration, credit card processing, VIP seating, and front of house

FINANCE & LEGAL AFFAIRS

  • Prepare detailed annual income projections in cooperation with the Finance Committee and Treasurer for earned income from subscriptions, single ticket sales, fee engagements, chamber music performances, and other sources;

  • Prepare detailed annual operating budgets for approval and manage the orchestra to agreed budgets;

  • Manage the Orchestra’s daily financial affairs through Quickbooks Online, including accounts payable and receivable;

  • Manage month-end financial closes and prepare monthly financial statements for Finance Committee review;

  • Manage organizational cash flows, payroll, and day-to-day cash handling;

  • Manage annual organizational compliance with federal, state, and local taxation and charitable requirements in cooperation with the Board and outside legal counsel; 

  • Manage the preparation of annual financial statements with the Orchestra’s outside accounting firm; and

  • Work with outside legal counsel to draft legal contracts and agreements for key organizational relationships.


CONCERT PRODUCTION

  • Support the Operations Manager and the Music Director in the recruitment of musicians for each concert, chamber music, and fee engagement program;

  • Negotiate and execute annual legal contracts with New England Conservatory’s Jordan Hall (performance venue), Boston Latin School (rehearsal venue), guest artists, and other production-related vendors;

  • Attend selected rehearsals, selected LSO on Call/Chamber Players performances, and all Orchestra performances; and

  • Maintain an ongoing and productive relationship with the Music Director and Operations Manager regarding smooth concert production.

COMMUNITY ENGAGEMENT

  • With the Board, manage the selection process for Healing Art of Music program community partners; 

  • Cultivate relationships in the Boston area to create a pool of potential community partners; and

  • Actively engage with community partners’ staff, board, and planning committees in the community partners’ utilization of an LSO concert as a special fundraising event.

ADMINISTRATION, VOLUNTEER MANAGEMENT & HUMAN RESOURCES

  • Manage the daily operations of the orchestra’s business office and its personnel; and

  • Recruit and manage staff, orchestra volunteers, and interns as appropriate.

  • Use various software tools including Google Suite, Quickbooks, ArtsPeople, MailChimp and Excel

QUALIFICATIONS

This is an opportunity for a leadership role in a major national metropolis with a small but successful institution situated at the center of Boston’s cultural and healthcare life. The successful candidate will have 2 or more years of previous arts management and/or development experience and have a love for classical music.  They will be dynamic, motivated, communicative, enthusiastic and a self-starter. A track record of successful fundraising and marketing, including engaging social media to cultivate audience growth, is preferred. They will be able to relate well to the orchestra’s highly educated healthcare practitioner members and supporters, as well as to the orchestra’s audiences.  They will be a natural communicator, able to relate well and feel comfortable with individuals from many backgrounds.

COMPENSATION & TIMELINE

This position offers a competitive compensation package as well as paid vacation and public holidays. Compensation range for this role is $57,000-$63,000 and an offer will be commensurate with experience. The successful applicant will begin work in Boston during January 2025.

HOW TO APPLY

Interested candidates should electronically submit a cover letter, resume,  and professional references in PDF form to Emma Doggett, Vice Chair of the Board of Directors, at search@longwoodsymphony.org. No hard copy applications, please.  Applications will be reviewed on a rolling basis with a priority deadline of October 18. This position is open until filled.  

All expressions of interest and conversations will be held in the strictest confidence; references will not be contacted without the candidate’s permission.

We are seeking an addition to our team who helps us celebrate all dimensions of diversity. If you're excited about this role, we encourage you to apply even if you don't meet all the qualifications. We look forward to hearing from you!

Longwood Symphony Orchestra is a registered 501(c)(3) not for profit organization and an equal opportunity employer. Longwood Symphony provides equal opportunity for all employees and applicants for employment without regard to race, color, creed, religion, gender, sexual orientation, national origin, age, marital status, mental or physical disability, pregnancy, military or veteran status, or any other basis prohibited by state or federal law.  This policy also prohibits employees from harassing any other employees for any reason, including but not limited to rate, religion, sex, national origin, age, or disabled status.

Announcing the 2024-25 Season with Music Director Jotaro Nakano


Longwood Symphony Orchestra, the orchestra of Boston’s healthcare community, is pleased to announce its 42nd season. Under the baton of Music Director Jotaro Nakano, LSO will perform four concerts at the impeccable New England Conservatory’s Jordan Hall.


All concerts take place at New England Conservatory’s Jordan Hall at 8:00pm


Saturday, October 19, 2024
Our great teachers

Johannes Brahms: Academic Festival Overture

Gabriela Lena Frank: Elegía Andina (Andean Elegy)

William Grant Still: The American Scene: The East (Suite 1)

Antonín Dvořák: Cello Concerto, op. 104, B.191, B minor
Andres Sanchez, cello

Benefiting Project STEP


Saturday, December 7, 2024
Power within nature

Tonya Wind Singer: Creation

Nigel Westlake: Toward Takayna (Concerto for 2 Guitars) (U.S. Premiere)

Ziggy and Miles, Guitar Duo

Ottorino Respighi: Pini di Roma, P.141 (Pines of Rome)

Benefiting Tunefoolery Music


Saturday, March 22, 2025
Lux aeterna

Zachary Fick-Cambria: Invictus (World Premiere)

Morten Lauridsen: Lux Aeterna (Eternal Light)

with Longwood Chorus

Johannes Brahms: Symphony No. 1, op. 68, C minor

Benefiting The Multiple Myeloma Research Foundation


Saturday, May 10, 2025
adoration

Florence Price: Adoration

Guest performance: Cambridge Common Voices

Sergei Rachmaninoff: Symphony No. 2, op. 27, E minor

Benefiting Vinfen



2024-25 Community Partners

2023-24 Season Announcement - Maestro Nakano's Inaugural Season


Longwood Symphony Orchestra, the orchestra of Boston’s healthcare community, is pleased to announce its 41st season. Under the baton of Music Director Jotaro Nakano, LSO will perform four concerts at the impeccable New England Conservatory’s Jordan Hall for a season of wonder, hope, spirit, and transfiguration.


All concerts take place at New England Conservatory’s Jordan Hall at 8:00pm


Saturday, October 28, 2023

VALERIE COLEMAN Umoja: Anthem of Unity
JOSEPH BOLOGNE, CHEVALIER DE SAINT-GEORGES
Violin Concerto in G major, Op. 2, No. 1
JULES PEGRAM
L.A. Glows
CLAUDE DEBUSSY
La Mer

featuring Mariana Green Hill, violin

Benefiting Project STEP


Saturday, December 2, 2023

AUGUSTA READ THOMAS Fanfare of Hope and Solidarity
PETER ILYICH TCHAIKOVSKY Piano Concerto No. 1 in B-flat major
RALPH VAUGHAN WILLIAMS Symphony No. 5 in D major

featuring Chelsea Guo, piano

Benefiting Shelter Music Boston


Saturday, March 9, 2024

JESSIE MONTGOMERY Soul Force
NIGEL WESTLAKE Spirit of the Wild - Concerto for Oboe
AARON COPLAND Symphony No. 3

featuring Titus Underwood, oboe

Benefiting the Augustus A. White III Institute for Healthcare Equity


Saturday, May 11, 2024

DAI WEI Invisible Portals
JOHANNES BRAHMS Schicksalslied (Song of Destiny)
NINA SHEKHAR Lumina
RICHARD STRAUSS Tod und Verklärung (Death and Transfiguration)

Featuring the Longwood Chorus

Benefiting YWCA Cambridge



2023-24 Community Partners

Cassandra Ling Named LSO Board Chair

Longwood Symphony Orchestra (LSO), the orchestra of Boston’s healthcare community, announced Cassandra Ling was elected as its new board chair, effective November 2023.

“I am excited to work with Cassandra in this expanded leadership role at LSO,” says Bridget Brazeau, LSO Executive Director. “Cassandra has been a thoughtful and impactful member of the board of directors since she began in 2018, and I am confident that she will be a wonderful leader for our organization as we embark on our next artistic chapter under the baton of new Music Director Jotaro Nakano. Cassandra’s extensive experience working in the nonprofit field makes her well suited for the role as we work towards fulfilling our mission to heal the community through music.”

In addition to her role on the LSO Board of Directors, Ling serves as Executive Director of YWCA Cambridge and formerly worked in strategic program development at the Boston Symphony Orchestra. Ling holds an M.Ed. degree from Harvard Graduate School of Education. Her first visit to Massachusetts was marked with a performance at Gillette Stadium as a mallet percussionist with her drum corps, Sacramento Mandarins Drum and Bugle Corps. 

"I am thrilled to be stepping into this new position and supporting the LSO in a larger capacity,” says Ling. “Under Jotaro and Bridget's joint leadership and bolstered by the orchestra's commitment to its mission, the LSO is well-positioned to grow its impact within the Greater Boston area. I am honored to work hand in hand with this team, the board, and our partners to make it so."

Ling succeeds Dr. Michael Barnett, who served as chair since 2015. Barnett will continue to be an active member of the orchestra as an oboe player. “Cassandra is a great fit to lead our passionate board, especially as we prepare for a new strategic plan in 2024,” said Barnett. “Her leadership skills and thoughtful, strategic way of thinking will serve the board and the whole organization well.”

LSO is grateful for Barnett's eight years as Chair and for providing a steady hand through two Music Directors and two Executive Directors. Under Barnett’s tenure as board chair, the orchestra entered into its strongest financial position yet. His tenure also boasted numerous successful fundraising galas and multiple multi-year grants including one to create the Operations Manager position. Barnett also supported the orchestra’s debut in Cambridge, MA, a partnership with the World Doctors Orchestra, and a newly created digital presence.

Welcome to LSO's New Music Director, Jotaro Nakano

Announcing Longwood Symphony Orchestra’s New Music Director, Jotaro Nakano

I am incredibly honored to be welcomed into this family of passionate and caring musicians.
— Jotaro Nakano

Longwood Symphony Orchestra, the orchestra of Boston’s medical community, is thrilled to announce Jotaro Nakano as the organization’s new Music Director beginning with the 2023-2024 season.  He will assume the role on July 1, 2023.

“I am incredibly honored to be welcomed into this family of passionate and caring musicians,” said LSO Music Director Jotaro Nakano. “The mission of this orchestra has such immense beauty. It is a mission that is both hopeful and aspirational for the opportunity to grow and serve together as artistic citizens for our community.”

Nakano was selected from a highly qualified pool that included applicants from around the globe.  During the 18-month search process, which encompassed the 2022-2023 season, four finalists were invited by the LSO Search Committee to spend a rehearsal cycle and perform a concert with the orchestra.  The committee, composed of LSO musicians, board members, and outside professional musicians, was co-chaired by Jean Bae, LSO Assistant Concertmaster and board member, and Dr. Read Pukkila-Worley, LSO board member and cellist.  

“Jotaro has an immense amount of talent, musicality, and commitment to using music as a force for healing and engaging the community,” said LSO Board Chair Michael Barnett, MD.  “He’s a perfect fit with the LSO: superb musical artistry, deep interest in the intersection of music and medicine, and passion for the community partners we serve.”

In 2021, Nakano was appointed as the Peabody Arts in Health Fellow at the Johns Hopkins Hospital. Building upon the partnership of both institutions, the Arts in Health Fellowship was created to integrate music with medicine in places of healthcare for the medical community of Baltimore. Through meaningful collaborations both with artists and medical professionals, Nakano explored the healing possibilities of art and music within clinical environments.

Previously, Nakano served as Music Director of the Ann Arbor Camerata, Cover Conductor for the Baltimore Symphony, and Conducting Fellow of the Long Beach Symphony. He was most recently interim conductor of The Chapman Orchestra in Orange, CA.  Nakano is currently completing his doctorate degree under the instruction of Marin Alsop at the Peabody Institute of Johns Hopkins University.  Nakano received his Master of Music in Orchestral Conducting from the University of Michigan, studying with Kenneth Kiesler.  


More information about the LSO’s 2023-2024 season, including programs, soloists, and community partners, will be made available soon on our website: www.longwoodsymphony.org.


Watch Jotaro Nakano Conduct Longwood Symphony

A Successful 2023 Gala!

Photos by LipofskyPhoto.com

THANK YOU for helping Longwood Symphony honor the incredible work of Dr. Len Zon & raise $150,000 for the Healing Art of Music Program!

Announcing the Music Director Finalists & 2022-23 Season

After a rigorous search process with nearly one hundred applicants, the Music Director Search Committee, co-chaired by LSO musicians and board members Jean Bae and Dr. Read Pukkila-Worley, is thrilled to announce the four conductors who will lead the orchestra during the 2022-23 season as their audition for Longwood Symphony Orchestra’s next Music Director. On behalf of the entire committee, we could not be more excited to feature these incredible conductors this season. All four candidates for the position show an immense amount of talent, musicality, and commitment to using music as a force for healing and engaging the community. This next phase of the process will allow each finalist to lead the orchestra through a full cycle of rehearsals, culminating in a performance for the public. LSO's next Music Director will be chosen from these four finalists by summer of 2023 after the conclusion of the 2022-23 season.


Saturday, October 29, 2022

WEBER arr. MAHLER Die drei Pintos - Entr’acte
VILLA-LOBOS Bachianas Brasileiras No. 5: Aria (Cantilena)
MAHLER Symphony No. 4 in G major

Jorge Soto, conductor
Sarah Brailey, soprano

Benefiting Violence Transformed

 

Jorge Soto, Conductor
October 29, 2022 Concert

Jorge Soto is a Venezuelan conductor and violinist with an active and diverse career both in North and South America. Currently, he is the Principal Conductor of the New Philharmonia Orchestra, the Principal Guest Conductor of the Massachusetts Symphony Orchestra, and the Music Director of the Sistema Side-by-Side Orchestra at Longy School of Music.

In addition to his regular posts, Mr. Soto has collaborated with several orchestras, most recently the Boston Symphony Orchestra. He has twice conducted the Boston Symphony Chamber Players: first in October 2019 for a performance of Stravinsky’s Octet at Jordan Hall, and again at Symphony Hall in December 2020, leading the ensemble in Elena Langer’s Five Reflections on Water. The latter performance was filmed and released as part of a BSO streaming concert in January 2021. Mr. Soto also served as assistant or cover conductor on several occasions throughout the BSO’s 2020-21 online season. In addition, he assisted Gustavo Dudamel in the preparation of Puccini’s Turandot with the Simón Bolívar Symphony Orchestra of Venezuela in December 2015. Also a passionate educator, he has worked with orchestras at Assumption University and Clark University.

Born in Barquisimeto, Venezuela, Mr. Soto is a product of El Sistema, an innovative program that uses classical music as a vehicle for social change. He began his musical studies in Venezuela at the Vicente Emilio Sojo State Conservatory, later studying violin at the Latin American Academy of Violin under Rhio Sanchez and José Francisco Del Castillo. A founding member of the Simón Bolívar National Symphony Orchestra of Venezuela, he has also performed with the Youth Orchestra of the Americas and the Philharmonic Orchestra of the Americas. He remains very active in El Sistema in Venezuela, where he teaches violin, coaches chamber music, and conducts orchestras around the country, including serving as a guest conductor with the Simón Bolívar Symphony Orchestra.

Mr. Soto graduated with a Master of Music degree in conducting from the New England Conservatory. His conducting teachers and mentors include Harold Farberman, Stephen Tucker, Jani Telaranta, and Charles Peltz. On violin, he has studied with Sophie Vilker, Janne Malmivaara, Peter Sulski, and Timothy Schwarz. 


Saturday, December 3, 2022

COLERIDGE-TAYLOR Ballade for Orchestra
ASSAD Violin Concerto
BEETHOVEN Symphony No. 7

Kristo Kondakçi, conductor
Adrian Anantawan, violin

 

Kristo Kondakçi, Conductor
December 3, 2022 Concert

Albanian–American conductor Kristo Kondakçi occupies a unique platform as a conductor and creative entrepreneur.

As Music Director of the Kendall Square Orchestra, the Narragansett Bay Symphony, and the Eureka Ensemble, he has distinguished himself as a talented and innovative conductor.

Kondakçi began his career in 2014, appearing in performances with the Albanian National Orchestra which received critical acclaim with the Albanian press and public. He continues to enjoy a close relationship with the National Theatre of Opera and Ballet in Albania. He made his European opera debut with the Vienna Summer Music Festival Opera in 2018 and his U.S. opera debut with Boston’s Enigma Chamber Opera in 2020.

The first conductor ever to be officially hired by a biotech company, Kondakçi helped form the Kendall Square Orchestra (K²O) in 2018 together with Elena Spencer and Kelly Clark — with the mission to connect professionals from across the diverse academic and corporate community of Kendall Square through music. Under his leadership, the orchestra has built a community of 70+ musicians that represent over 50 local institutions.

In 2019, he conducted K²O’s inaugural “Symphony for Scienceat Boston’s Symphony Hall,  an innovative event bringing together local corporate sponsors, community organizations, and audiences to raise awareness, funds, and hope for healthcare and STEM education causes. Now in its fourth year, “Symphony for Science” has raised over $120,000 to support local benefiting organizations.

Kondakçi is a passionate advocate for the power of music to bring people together to inspire them to connect deeply with themselves and others and choose a life of passion, purpose, and self-responsibility. In 2017, this belief inspired him to launch Eureka Ensemble — with the mission to nurture social impact through music. Eureka’s community-intensive programming and performances have been widely praised by PBS, NPR, and the Boston Globe, among other outlets.

In 2018, Kondakçi co-founded the Women’s Chorus (TWC) to connect women experiencing homelessness or poverty in Boston with the healing power of music. The program has impacted more than 100 of Boston’s most vulnerable women from diverse backgrounds with an age span of 17 to 82.

Kondakçi received an Urban Service Award in 2019 from the Berklee School of Music for his work with Eureka Ensemble and the Women’s Chorus. A NowThis News feature on the chorus entitled "It's great to be treated like a human again” was published in August of 2018 and has since been viewed over 3 million times, inspiring similar programs to pop up across the globe.

In March 2020, after the pandemic lockdowns fell into place, Kondakçi joined a team of physicians and musicians led by Dr. Ronald Hirschberg and Dr. Lisa Wong to launch “Boston Hope Music” (BHM), a music & wellness program which was delivered to patients at Boston Hope Medical Center (a field hospital in Boston established to care for patients recovering from COVID-19) to augment the healing process. After the success of this program in spring 2020, the BHM team partnered with the New England Conservatory and Massachusetts General Hospital to focus on the needs of frontline healthcare workers, offering music lessons and songwriting sessions to help cope with stress from the pandemic. Once vaccination centers opened, BHM sent musicians to perform for members of the public receiving their vaccinations at each of the major centers in Boston, including Fenway Park, the Reggie Lewis Center and the Hynes Convention Center, among others.

Kondakçi is dedicated to educating the next generation of musicians and performers. In 2019, he served as interim director of orchestral studies at the University of Massachusetts Amherst for one term, leading the graduate conducting program in addition to conducting the university orchestras. He has also made a significant contribution to the musicological research of Gustav Mahler’s music through his reconstruction of the original version of Mahler's 1st Symphony (2012). He currently teaches conducting in a private studio and coaches chamber music at Harvard University as a non-resident music tutor with Pforzheimer House. He has also guest lectured at the Longy School of Music and at New England Conservatory.

Off the podium, Kondakçi is passionate about the intersection of music and business. Iin 2018, he designed a leadership development program with Kendall Square Orchestra called “Leading Tone: Transforming Business Through Music”. The program links best practices from the world of music with specific, actionable business behaviors and provides a transformational learning experience for leaders at every level by using ‘conducting an orchestra’ as a metaphor for teamwork and leadership. Since 2018, he has led workshops in Boston with leaders from corporations spanning 12 countries across 4 continents, such as PWC and Kinden Corp.

Kondakçi is also an active public speaker. He has been a featured speaker at TEDxBoston (2018, 2021) and the League of American Orchestras (2019). In his spare time, he volunteers with TEDxYouth@Boston to coach and mentor young speakers.

Kondakçi lives in Boston with his wife.


Saturday, March 18, 2023

BOULANGER: D’un matin de printemps (Of a Spring Morning)
SIMON The Block
HAYDN Trumpet Concerto in Eb
SIBELIUS Symphony No. 2

Jotaro Nakano, conductor
Benjamin Wright, trumpet

Benefiting The Augustus A. White III Institute for Healthcare Equity

 

Jotaro Nakano, Conductor
March 18, 2023 Concert

Japanese-American conductor Jotaro Nakano is a Southern California native who is now living in Baltimore, Maryland, pursuing a doctorate degree under the instruction of Marin Alsop at the Peabody Institute of Johns Hopkins University. As an impassioned citizen artist, Jotaro is always seeking to connect and inspire underprivileged communities with the deeply moving and uplifting powers of art and music.

In 2021, Jotaro was appointed as the Peabody Arts in Health Fellow at the Johns Hopkins Hospital. Building upon the partnership of both institutions, the Arts in Health Fellowship was created to integrate music with medicine in places of healthcare for the medical community of Baltimore. Through meaningful collaborations both with artists and medical professionals, Jotaro explores the healing possibilities of art and music within clinical environments. Jotaro’s most recent projects have included the “Johns Hopkins Hospital Pandemic Playlist,” a series of playlists curated from over three hundred submissions from our hospital staff; and “Music for H.O.P.E.,” a video concert dedicated to our medical workers, recorded in Johns Hopkins’ historic Hurd Hall.

Since its founding in 2019, Jotaro has served as director and conductor of the Chamber String Orchestra of the SA’Oaxaca Strings International Music Festival in Oaxaca, Mexico. SA’Oaxaca is the first tuition-free chamber string music festival in Oaxaca with the mission to provide “excellent educational opportunities to underserved Mexican string instrumentalists, and increase the study and promotion of Latin American and Hispanic chamber music compositions.” Since its founding, SA’Oaxaca has welcomed hundreds of Mexican musicians and performed for countless communities and audiences. Jotaro is privileged to work with these talented students through this intercultural exchange of art.

Previously, Jotaro served as Music Director of the Ann Arbor Camerata, Cover Conductor for the Baltimore Symphony, and Conducting Fellow of the Long Beach Symphony. Jotaro has conducted orchestras in Mexico, the Czech Republic, Romania, and all across the United States. With every new project, Jotaro’s commitment is to maximize artistic collaboration to fill the world with wonder and hope.


Saturday, May 20, 2023

STILL Can’t You Line ‘Em
GRIFFES Poem for Flute and Orchestra
CHAMINADE Concertino for Flute
TCHAIKOVSKY Symphony No. 5

Avlana Eisenberg, conductor
Anthony Trionfo, flute

Benefiting YWCA Cambridge

 

Avlana Eisenberg, Conductor
May 20, 2023 Concert

Acclaimed conductor Avlana Eisenberg is a passionately committed advocate for emerging and underrepresented American composers, new works, and making symphonic music accessible for all. Hailed as “an imaginative and enterprising conductor,” she is Music Director of the Boston Chamber Symphony and has led orchestras throughout the United States, Europe, and the United Kingdom.

Eisenberg’s discography includes recordings with the Budapest Symphony Orchestra MAV and the Royal Scottish National Orchestra. This May, Naxos released her world premiere recording, William Grant Still: Summerland, with the Royal Scottish National Orchestra. Praised as “stunning” by The New York Times and selected as Album of the Week by SiriusXM, the recording includes 13 world premieres of orchestral music by Still, who was known as the “Dean of Afro-American Composers” during his lifetime but largely neglected since his death in 1978.  ClassicalCDs.com notes, “This composer could not have better advocates than what we have here. The playing of the Royal Scottish National Orchestra is superbly accomplished and musically involving, and they are expertly led by Avlana Eisenberg.” Eisenberg’s earlier recording of violin concertos of Sibelius and Barber and the world premiere recording of Ben-Haim’s Three Songs Without Words with the Budapest Symphony Orchestra MAV and violinist Zina Schiff was hailed as “persuasive” and “finely balanced” by Gramophone Magazine, and “strongly recommended” by Fanfare. Her upcoming releases include an all-Hovhaness album with the Salzburg Chamber Soloists and a recording of works by Ravel and Ben-Haim with the Royal Scottish National Orchestra.

As Music Director of the Boston Chamber Symphony, Eisenberg has been credited with extending and deepening their impact in the community by making symphonic music accessible and riveting for audiences of all ages and backgrounds. In addition to mainstage and educational concerts, she has brought music to the community in non-traditional venues, including WBUR Radio-sponsored concerts in a local brewery, and the Boston Chamber Symphony’s Healing Arts Initiative in collaboration with Harvard’s Beth Israel Deaconess Medical Center to bring symphonic music to hospital staff, patients, and families. Committed to amplifying diverse compositional voices, Eisenberg and the Boston Chamber Symphony developed the “Sounds of America” series to showcase the life and music of underrepresented American composers. Their debut video, released in 2021, features a multimedia performance of “Can’t You Line ‘Em” by William Grant Still. In demand as a guest conductor, Eisenberg has also performed with ensembles at noted summer festivals including the Edinburgh Festival, the Aspen Music Festival, and the Festival at Sandpoint, and in such venues as the Mozarteum, the Hungarian Radio Hall, and the Granada Theater.

Eisenberg regularly champions the work of contemporary composers, such as Kevin Puts, Faye Chiao, and David Biedenbender. She has conducted dozens of world premieres and served as conductor for the Juventas New Music Ensemble—a group that exclusively performs works by young composers. Eisenberg has also commissioned new works, including Banding Together, an operatic adaptation of Musicians of Bremen, the popular Brothers Grimm fairytale, which was premiered by the Boston Chamber Symphony at a sold-out family concert.

Recipient of a Fulbright Fellowship to work at the Paris National Opera, Eisenberg received her undergraduate degree at Yale University, where she founded and conducted the Silliman Symphony and was named one of Glamour Magazine’s Top Ten College Women for her stellar academic record and strong leadership skills. She earned graduate degrees in Orchestral Conducting from the University of Michigan and the Peabody Institute, and has participated in masterclasses by such renowned conductor-pedagogues as Michael Tilson Thomas, David Zinman, Gerard Schwarz, Marin Alsop, and Larry Rachleff. A violinist by training, Eisenberg’s primary teacher was Heifetz protégé Erick Friedman.


For questions about the LSO Music Director Search, the committee may be reached via email at mdsearch@longwoodsymphony.org.

Longwood Symphony Stands in Solidarity with Ukraine

Longwood Symphony Orchestra performs the Ukrainian National Anthem at New England Conservatory’s Jordan Hall following remarks by Music Director Ronald Feldman.


Longwood Symphony Orchestra musicians, staff, and Board of Directors stand in solidarity with the people of Ukraine. The tragic and senseless destruction is devastating.

You can aid Ukraine by donating to agencies providing essential support, medical care, and supplies to Ukrainian citizens and refugees. The U.S. Department of State is highlighting a gofundme campaign for a Ukrainian Humanitarian Fund as one centralized fundraising effort, which also includes links to individual, verified nonprofit humanitarian organizations.

Music Director Ronald Feldman Announces Departure from Longwood Symphony Orchestra

A message from Ronald Feldman:

The next part of my life is beginning.
— Ronald Feldman

“Finding enough time in the day to do everything I enjoy has become more challenging as I have gotten older. My musical activities have always been a focal point of my life. In a professional musician's life your time is not your own. Rehearsals and concerts do not begin at a time of your choosing.

We have a wonderful family that continues to expand. Elizabeth, our two sons Alexander and Matthew, my sister and brother, are where I want to be able to spend more time without constraints. I am the husband, the father, the uncle, the gardener, the chef, the snow plow driver, and the property maintenance man, all things I love. I'm ready to be that person full time. I am slowly cutting back on all of my professional activities.

Leaving the Longwood Symphony Orchestra, an organization I have been blessed and honored to be a part of, has been the most difficult decision I have made. I am beyond proud to have shared the stage with this amazing group of people. The next part of my life is beginning.”

Dr. Michael Barnett, LSO Board Chair and oboe player, says, “We are incredibly grateful for Ronny's nearly ten years of leadership with Longwood Symphony Orchestra. Under his baton, LSO has grown into an orchestra known for its artistic excellence and commitment to the community. As musicians, Ronny always challenged us to listen carefully, perform at our highest level, and truly enjoy the opportunity to make music together each week. While we will miss him greatly on the podium, we wish Ronny and his family the best as he enjoys the next chapter of his life.”

 

Longwood Symphony Orchestra has embarked on the formal search process to fill the Music Director position (applications were accepted until March 31, 2022). Co-chairing the Music Director Search Committee are LSO violinist Jean Bae and LSO cellist and board member Read Pukkila-Worley, MD. The position announcement and details about the application process can be found at www.longwoodsymphony.org/md-search.

Announcing LSO's 2021-22 Season!

Longwood Symphony Returns to New England Conservatory’s Jordan Hall & Live Music

Longwood Symphony Orchestra is thrilled to return to New England Conservatory’s Jordan Hall and the joy of performing alongside a live audience!

While a full season of captivating music and community connections awaits us, the health and safety of our audiences, musicians, staff, and volunteers remains our highest priority. Along with our host, NEC’s Jordan Hall, LSO is taking a number of steps to provide the safest possible concert experience.

Health & Safety

Proof of vaccination, masks, and social distancing will be required for all guests.

Programs will also be shortened and presented without intermission. The orchestra will also implement distancing between musicians and a capacity limit on the stage. To learn more about these protocols, please visit our Health & Safety Guidelines page.

Updated January 2022: children under the age of 5 may present proof of a negative COVID-19 test. Guests over the age of 5 must present proof of vaccination.

Oct. 9th Presented in Gratitude to Frontline Healthcare Workers

LSO’s season opening concert on October 9th will be performed in gratitude to all of the frontline healthcare workers who keep our community safe.

American Strings

BARBER Serenade, Op. 1

CARTER Elegy for string orchestra

FOOTE Suite in E major, Op. 63

HIGDON String from Concerto for Orchestra

GRANT STILL Danzas de Panama

TORKE December

ZAIMONT Elegy

All Beethoven

BEETHOVEN
Piano Concerto No. 3 in C minor, Op. 37
Victor Rosenbaum, piano

BEETHOVEN
Symphony No. 2 in D major, Op. 36

Haydn & Respighi

RESPIGHI
Ancient Airs and Dances, Suite No. 1

MOZART
Sinfonia Concertante in Eb major, K.297b for Flute, Oboe, Bassoon, and Horn

HAYDN
Symphony No. 96 in D major, “Miracle”

Mozart & Brahms

BRAHMS
Symphony No. 2

MOZART
Violin Concerto No. 5 in A Major, K.219
Rachell Ellen Wong, violin

2021-22 Community Partners

Violence Transformed is an annual series of visual and performing arts events that celebrate the power of art, artists and art-making to confront, challenge and mediate violence. Violence Transformed events include visual arts exhibits and music, dance and theatrical performances hosted by multiple venues in Boston and beyond. Since 2015, Violence Transformed events have also included artist-led workshops for health care providers and provider-led, trauma-informed workshops for artists and activists working with individuals, families and communities impacted by violence and the risk of violence.

Learn more >>

YWCA Cambridge is dedicated to eliminating racism empowering women and promoting peace, justice, freedom and dignity for all.

YWCA Cambridge is a cornerstone for providing safe, affordable accommodations for women and families and an advocate for human rights. With 103 units of single room occupancy (SRO) housing for single women and a 10-room shelter for homeless families, the YWCA is the city’s largest residential housing provider for women.

Learn more >>


THRIVEGulu believes that meaningful existence is more than mere survival. We believe the invisible wounds of psychological trauma deserve healing. And, we believe that functionality and productivity can only flourish when an individual and her community are more-than-surviving. Established in 2010 as a 501(c)(3) nonprofit organization, we support communities in Northern Uganda, including forcibly displaced South Sudanese refugees, to recover from the traumatic effects of war. Our vision is for a Northern Uganda in which all people are treated with dignity, live in safety, and have the chance to contribute to the good of the community. THRIVE provides holistic Mental Health & Psychosocial Support that includes psychological counseling, economic empowerment, and literacy.

Learn more >>

Apr. 26 WE SHALL OVERCOME: Music & Equitable Healing

Apr. 26 WE SHALL OVERCOME: Music & Equitable Healing

NOW AVAILABLE TO WATCH ON YOUTUBE!

With racial inequity at the forefront of our national conversation, this event is co-presented by Project STEP and Longwood Symphony to highlight the disproportionate effect of COVID-19 on communities of color and to celebrate these organizations working on the frontline for social justice and healing. This virtual gathering will include performances featuring Project STEP and Longwood Symphony musicians, conversations with the artists, a presentation from healthcare leaders working for equity, and a Q&A with some of the artists.